PDF Download Ventilator Management: A Pre-Hospital Perspective

PDF Download Ventilator Management: A Pre-Hospital Perspective

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Ventilator Management: A Pre-Hospital Perspective

PDF Download Ventilator Management: A Pre-Hospital Perspective

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About the Author

Eric Bauer is the founder | CEO and lead educator for FlightBridgeED, LLC. He has worked in the EMS field for 25 years with the past 16 years spent in the HEMS industry. Eric is an internationally recognized author, speaker and educator and holds a Bachelors Degree in Business - Health Care Administration and a Masters of Business Administration - MBA. He's currently working on his Doctoral Degree Ed.D. in Higher Education | Adult Learning. He currently works as a Clinical Education Manager for the largest air medical provider in the world. He has spoken on many critical care topics as an educator, and has authored and published 130 critical care podcasts related to the HEMS industry, with over 1.5 million downloads in the first 5 years of publication. He has developed a passion for all things ventilator management and is asked to consult on the subject on multiple levels related to pre-hospital EMS and HEMS around the world.

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Product details

Paperback: 164 pages

Publisher: CreateSpace Independent Publishing Platform; 1 edition (August 24, 2015)

Language: English

ISBN-10: 1492299642

ISBN-13: 978-1492299646

Product Dimensions:

6 x 0.4 x 9 inches

Shipping Weight: 12.6 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

51 customer reviews

Amazon Best Sellers Rank:

#116,980 in Books (See Top 100 in Books)

I have been a flight/critical care paramedic for a while and now I'm in medical school. To date, I have yet to find a book that rivals this book in it's clarity and depth. It is, quite simply, comprehensive without getting into too much detail. Most of the texts I have read are either exceedingly superficial or explore respiratory in rediculous detail, to the point where it is not practical. This book rides the line between these extremes with exquisite skill. It is the best text to develop any critical care transport professional and give you a completely practical, yet deep physiological insight. It gives you exactly what you need. Furthermore, i would recommend this book for professionals new to critical care as well as those who have been at it for a while. It is a must-read!

I have been a Paramedic for 24 years and have read a great deal of information concerning ventilator management. I found Eric's book to be more accurate, easier to read and understand and more useful then other texts. I now keep a copy of his book for reference and periodically re-read it to refresh my knowledge. If you are looking for a comprehensive ventilator management reference this book will meet your needs and you will be happy with this choice.

Having been a transport medic for over ten years, I felt this was an easy read. Great information to help me as I transport more and more patients on ventilators

Excellent content from a reliable source

A worthy purchase for furthering a deeper understanding in taking care of patients during critical care transport. It definitely is a conversational style of reading. With any subject matter in critical care, I am not ashamed to say it takes me several readings - or more - to get the most out the book.

This book is a must have for any critical care transport crew member. It written in a way that is easy to understand and applicable to our pre-hospital practice. Pair this book with the FlightBridgeED Ventilator Workshop for an excellent way to immediately be able to improve the care you deliver.

Excellent book if you need to know more about mechanical ventilation I am using it for my Fp-c exam studies

It is ok. Very basic. This is not for the experienced provider.

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Get Free Ebook H Is For Haiku: A Treasury of Haiku from A to Z

Get Free Ebook H Is For Haiku: A Treasury of Haiku from A to Z

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H Is For Haiku: A Treasury of Haiku from A to Z

Get Free Ebook H Is For Haiku: A Treasury of Haiku from A to Z

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Review

"As a teacher Sydell Rosenberg was attuned to the spirit of children, and her sophisticated and fun haiku are particularly accessible for young readers. Touching on a wide range of subjects, Rosenberg invites kids to look and look again. Her keen observations and lilting imagery will inspire them to do just that.Sawsan Chalabi’s charmingly quirky illustrations and stylized lettering present each poem with dash and personality that will enchant kids. Her delicately lined drawings are infused with vibrancy from a gorgeous color palette. Just like Rosenberg’s haiku, Chalabi’s pages are animated with a love for life that will resonate with kids―and adults.H is for Haiku would make a terrific gift for poetry lovers and a wonderful addition to home, school, and public library collections."―Celebrate Picture Books"...a delightful exploration of the alphabet through Haiku. Each page explores a moment in time with lovely, lyrical and luscious language. Colorful, playful illustrations complement the poetic text. The illustrations feature whimsical word art that enhances the reading experience." ―Writer's Rumpus

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About the Author

Sydell Rosenberg (1929-1996) was a charter member of the Haiku Society of America in 1968 and served as HSA’s Secretary in 1975. Her short poems – notably haiku and senryu – as well as other poetry, were published in various magazines and anthologies. Syd received her M.A. in English as a Second Language from Hunter College in 1972. It was Syd’s dream to publish a book of haiku for children. She lived, wrote, and taught in New York City.Sawsan Chalabi is a Lebanese-American illustrator and designer. She earned her MFA in Illustration from Savannah College of Art and Design. When she is not at her computer making digital illustrations, she can be found in her studio getting messy with inks and paint. Her work has been published with several magazines and publishing houses such as Cricket Magazine, Bust Magazine, Wine & Spirits Magazine, Applied Arts Magazine, Penguin, and Lee & Low Books, among others. She currently resides in Washington, D.C.

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Product details

Age Range: 5 - 11 years

Grade Level: Preschool - Kindergarten

Hardcover: 40 pages

Publisher: Penny Candy Books (April 10, 2018)

Language: English

ISBN-10: 0998799971

ISBN-13: 978-0998799971

Product Dimensions:

6.8 x 0.6 x 8.8 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

14 customer reviews

Amazon Best Sellers Rank:

#202,603 in Books (See Top 100 in Books)

"H" is also for. . .(but this is not about me; it's about an amazing book featuring one of poetry's often misunderstood and under-celebrated forms, haiku)."The split second one starts to touch a flower--real or plastic? That's haiku. Before the hoof comes down--that's haiku." Sydell RosenbergH IS FOR HAIKU is a collection of haiku form with a tender back story. In interactions and conversations with Amy Losak, who writes the introduction to the book, at Facebook, it was the dream of her late mother, Sydell Rosenberg to publish a collection of haiku. An active member and leader within the Haiku Society of America, Rosenberg was a contributor to such projects as Haiku on 42nd Street, an urban art project that saw poetry adorning shut-down, shuttered movie theater windows and marquees.Rosenberg's verse invites us to talk about form. Haiku often gets the "easy poem" treatment for a number of reasons, I suppose. But the true nature of haiku? Not so simple as it asks us to look a little closer. To capture that moment. To bring that moment back in a tiny, three-sided frame: 5-7-5. Interacting with Losak, I learn that American haiku rarely follows the traditional form we have been taught in the classroom during poetry units. For this alone, I am grateful for this book and for Losak's expertise and appreciation of this short form.Sawsan Chalabi brings all the verse to life in illustrations that invite personification and anthropomorphism throughout. Nothing is lost in the form for Chalabi's presentation of the text which now mirrors a sort of "concrete" approach as books become skyscrapers and word-swelled raindrops fall from the top of the page. Chalabi's illustrations actually serve not only as a visual but as a sort of maker for the structure and the shape of the form featured. As my friends find this collection, they'll no doubt find their favorite page (as I have found mine).We collect ABC books in Room 407, and H IS FOR HAIKU's verse is presented in this order that takes the reader about the city to observe moments in nature and moments in humanity. From the cat to the boy to the car to the card, the text becomes a model for how the form could be used to cover the course of a day or a subject with the young reader and writer using the book as a model for how to arrange the pieces created.Bring authors and artists together around a roll of butcher paper to draft and to draw what haiku might look like if we were writing about our school, our community, our state. H IS FOR HAIKU is the perfect model text for collaborative writing and creating around a form.During National Poetry Month, we have an opportunity to celebrate poetry and poems. Students across the country will learn about the poets and about the forms. When Amy Losak made a connection with Penny Candy Books, the poetry and the teaching community were able to find and keep a little bit of treasure in a tiny book.One moment. Three lines. Seventeen syllables. And we see this form every single day; we simply don't take the time to write them down in words.

This beautiful treasury of haiku poems takes readers on a journey from A-Z, encouraging them to notice the smallest moments. Topics including a bike ride, squirrels, and the rain delight and engage. Vibrant illustrations add to the beauty of the book. And a note by the author's daughter provides information about the author and about haiku. A lovely addition to any children's book collection.

Sydell Rosenberg's Haikus have captured the essence of life. Beautifully written and beautifully illustrated. Love each and every one of the very special small moments (that speak loudly) found in this lovely book.

a wonderful collection of haiku that a daughter had published in honor of her deceased mother.

I loved this read! What a wonderful way to introduce the alphabet and Haiku all at once! I highly recommend this book.

This book is literally a work of heart. Amy Losak made it her mission to help her late mother; Sydell Rosenburg’s words take flight into the world. What is haiku? Amy says it best, “Haiku poems make small moments big.”Rosenberg’s A-Z Haiku take everyday scenes that nature paints and adds the color and the rhythm that make them dance upon our memory in a special way. They linger there and beg for the attention they rightfully deserve. So get comfortable, and share these small nuggets of nature’s beauty with the children in your life.Favorite Line- “HOLDING UMBRELLAS CHILDREN, LIKE ROWS OF MUSHROOMS, GLISTEN IN THE RAIN”Chalabi’s illustrations are eye-catching, detailed and active. I love the way the Haiku intertwines throughout the art and becomes incorporated with it. Chalabi also uses color, size and thickness in the font to put the focus on just the right words.

Amy Losak is the daughter of Sydell Rosenberg, a charter member of the Haiku Society of America in New York City in 1968. Losak has spent the last several years on a personal mission to organize and assemble her mother's work into a picture book for children—something her mother always dreamed of doing. Those efforts to revive and preserve her mother's literary legacy have finally been realized in H IS FOR HAIKU: A TREASURY OF HAIKU FROM A TO Z, published by Penny Candy Books. A collection of everyday moments, many inspired by an urban setting, Rosenberg's fresh perspective is paired with amusing and lively illustrations by Sawsan Chalabi.

"H Is for Haiku" is absolutely delightful. A picture book containing 26 haiku by Sydell Rosenberg, it is organized as an alphabet book, but doesn’t feel preachy or instructive like so many of them do. If anything, the reader forgets it’s an alphabet book long before reaching “z.”The poems capture brief, precise snapshots of life that are instantly recognizable to most kids, especially to those who live in the city. For instance, Rosenberg brings us “sweat-sprinkled” office workers lining up for ice cream on a hot day, and umbrella-holding children, who appear like mushrooms glistening in the rain. Perhaps the urban setting of many of the poems explains why there’s a visual grittiness to many of the pages (the illustrator is the gifted Sawsan Chalabi).Now deceased, Rosenberg was a charter member of the Haiku Society of America in 1968 who at times believed that easing the 5-7-5 syllable count better fits the English language. (Many if not most poets writing English-language haiku today no longer adhere to the strict 5-7-5 syllable pattern practiced in Japan.)"H is for Haiku" was championed by Rosenberg’s daughter, Amy Losak, who says it was her mother’s “dream” to publish a book of haiku for children.With its striking images of everyday life, "H is for Haiku" promises to be a great tool for helping children (and their associated adults) to see and hear the poetry in their own lives.

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Ebook Broad Strokes: 15 Women Who Made Art and Made History (in That Order), by Bridget Quinn

Ebook Broad Strokes: 15 Women Who Made Art and Made History (in That Order), by Bridget Quinn

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Broad Strokes: 15 Women Who Made Art and Made History (in That Order), by Bridget Quinn

Ebook Broad Strokes: 15 Women Who Made Art and Made History (in That Order), by Bridget Quinn

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Review

Named a Top 10 Spring 2017 Book in Memoirs/Biographies by Publishers Weekly“Your Art History 101 syllabus just got a lot more fun.” —O, the Oprah MagazineNamed one of the 23 best art history books of all time by Book Authority“A terrific essay collection with quick and pithy profiles of famous and not-famous women artists—Alice Neel, Louise Bourgeois, Lee Krasner, Kara Walker, etc. Spunky, attitudinal, SMART writing, excellent color reproductions.” —Susan Stamberg, NPR“Inspiring, charming, and eye-opening.” —The Millions“In her entertaining and accessible debut, Quinn mixes biography, art history, and women’s studies to shed light on 15 women artists.… The color reproductions add to this book’s appeal, giving readers a chance to appreciate the artists’ work as well as Quinn’s upbeat writing.” —Publishers Weekly“Can you name five women artists? That question, which launched a recent social media campaign, receives a beautiful answer in art historian Quinn and illustrator/writer Congdon’s accessible and intimate tour of 15 female artists from the 17th century to the present.” —Library Journal“As its title suggests, Broad Strokes isn’t stuffy. There’s plenty of scholarship here about women artists over the centuries, but Quinn combines her research with a lively, breezy tone that turns her subjects into more than feminist symbols. They’re masters in their own right, bold and brilliant despite the limits they faced.” —Christian Science Monitor

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About the Author

Bridget Quinn is a writer, art history scholar and educator. She lives in San Francisco where she's a contributor and advisory board member for Narrative Magazine and a member of the San Francisco Writers' Grotto.Lisa Congdon is a Portland, Oregon–based artist and author.

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Product details

Hardcover: 192 pages

Publisher: Chronicle Books (March 7, 2017)

Language: English

ISBN-10: 1452152365

ISBN-13: 978-1452152363

Product Dimensions:

7.8 x 0.8 x 9.8 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

67 customer reviews

Amazon Best Sellers Rank:

#29,653 in Books (See Top 100 in Books)

As an art historian I am delighted to see these extraordinary women artists presented and Quinn does add new insight into the lives and works of several of the artists. However, I think Quinn ruins her approach by trying to be "too cool" and by using the f-word and other base observations not appropriate for serious research. She has paired well done writing with lowering herself to use expletives. Is this what we have to do today to appeal to readers ? I think it is a disservice to those women being presented. I also think the book centers too much on her and is often plain silly as to how she relates herself to studying these women.

Five stars means I love it - but not unconditionally! Quinn's initial quest for information on Lee Krasner led her to Janson's History of Art and then Artemisia Gentileschi. "By the time I hit the back cover, I had a list of sixteen women, one of them Lee Krasner. In more than 800 pages, this was all "official" art history could offer." Slowly, Quinn moved on and discovered other female artists like "Rosa Bonheur, a swaggering animal painter from the nineteenth century..." or "Edmonia Lewis, who was part Chippewa, part African American" In another class Quinn made use of her French language skills and studied Adelaide Labille-Guiard. I admit, I had never heard of either Lewis or Labille-Guiard before - Quinn's breezy tone made it easy to continue."You may well be asking: What the hell?" and off she goes describing the Gentileschi painting. Yes, the one were Judith assisted by her maid severs the head of Holofernes. "They could be Julia Child and Alice Waters deboning a turkey." It is so funny, so cutting, and so disturbing because we/I have never read anything translating this gruesome scene to something very contemporary, performed by modern women. Beyond describing the artists' most well-known works, Quinn tells of their life - what made them painters/sculptures, why were they successful or not, how did they live? Throughout the book Quinn offers stories from contemporary movies or novels that make for very easy reading and understanding of the heroine's (artist's) predicaments - compare Judith Leyster to Frans Hals via the Da Vinci Code. Then there are paintings who were first attributed to male masters, in fact being star attractions and then quietly put into storage and rediscovered, Quinn loves those. Throughout the book she seems to chuckle every time there is something along the lines of the Rosa Bonheur quote "the fact is, in the way of males, I only like the bulls I paint." Sometimes it is just too much levity and I could have done without it. The chapters on Edmonia Lewis, Vanessa Bell, Alice Need, Ruth Asawa and Ana Mendieta introduce these barely acknowledged artists - I am grateful to Quinn for introducing them to me.

I bought this book as a gift for an older woman who is an accomplished artist and a good friend. The primary subjects she portrays are women (usually in woodcut prints), so I thought this book would interest her. This may be the only book I've ever returned for reasons other than shipping damage. There are three basic things I don't like about this book: 1) The overall writing style is appallingly slangy, sloppy, and otherwise, undisciplined [believe me, I'm no prude, but on page 52, for example, in the space of about six sentences, the author uses major obscenities three times (Amazon rejected this review the first time because I quoted from the book), so be careful about who you give this to!], 2) The watercolor illustrations (these are the author's portraits of the artists she writes about] are overly sentimentalized, not particularly well done, and really detract from the impact of the book, especially given the high quality of the artists inside; and 3) The text font is uncomfortably small. This book might be appropriate for someone who has zero knowledge about art or the equivalent of a high school education, though I wouldn't give it to a youngster because of the vulgar language. Most of the artists in this book (Alice Neel, Ruth Asawa, etc.) are very well-known in the art world, so there weren't too many surprises for me. The only positive things I can say about this book are that women artists need greater recognition for their role in art history, so this book may be one tiny step forward in raising awareness about them; the technical quality of color reproductions is good; and the layout is nicely done, with the exception of the type, which, as I mentioned above, is very small. Now, getting really picky, I hated the choice in paper for the cover, kind of a fake-looking, cloth textured paper that looked rather tacky. There are many other better written and more comprehensive books on the same subject out there.

A lively, richly detailed introduction to fifteen fine artists who have been needing more ink for a long time. Bridget Quinn could have written yet another collection of biographies of the usual suspects -- Mary Cassatt, Berthe Morisot, Georgia O'Keefe, Frida Kahlo -- but instead she introduces us to some lesser known names. Written in a chatty style laced with a lot of autobiography, "Broad Strokes" is aimed more at the general public than art historians. She clearly loves great art, and she makes that love contagious. "Broad Strokes" makes you want to high-tail it to the nearest art museum.

As my daughter, a toddler, begins to experiment with art, I wonder: what female artists can inspire her? Enter Broad Strokes, a delightfully personal and intimate view into the lives and work of some of the world's most influential female artists. This book is monumental and so needed in a world where women's art and creative work is repeatedly marginalized. I cannot wait to read it to my daughter, for her to engage with such critical discourse and images of art that will surely provide her with the needed space and support to continue to explore creativity and feminism.

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